Sydney Mearing
| Year | Play | Rôle(s) |
|---|---|---|
| 1961 | Meet Me By Moonlight | Stage Manager |
| 1955 | As Long As They're Happy | Stage Staff |
| 1955 | A Murder Has Been Arranged | Stage Staff |
| 1955 | The Applecart | Nicobar, Foreign Secretary |
| 1955 | Ring Around the Moon | Stage Director |
| 1954 | The Poltergeist | Scenery construction and painting |
| 1954 | Waters of the Moon | Setting construction and painting; Stage Gang |
| 1954 | Bonaventure | Scenery and Stage Staff |
| 1953 | Pygmalion | Colonel Pickering; Assistant Stage Manager |
| 1953 | The Hollow | Stage Manager |
| 1953 | The Importance of Being Psmith | Stage Manager |
| 1952 | Dear Octopus | Charles Randolph |
| 1952 | Treasure Hunt | Gerald Walsh; Stage Manager |
| 1952 | The Vigil | Sadoc, a Private Detective |
| 1952 | The Artist | Stage Manager |
| 1952 | Off the Record | Scenery construction & painting |
| 1951 | The Lady's Not For Burning | The Chaplain |
| 1951 | Lady Windermere's Fan | Stage Manager |
| 1951 | Mary Blake | Directing set units; Stage Manager |
| 1951 | Playbill | Setting construction and painting; Stage Staff |
| 1951 | Baa, Baa Black Sheep | Mr Tickle |
| 1950 | Arsenic and Old Lace | Stage Staff |
| 1950 | Ten Little Niggers | Scenery construction and painting |
| 1949 | Thark | Jones |
| 1949 | The First Gentleman | Stage Manager |
| 1949 | The Winslow Boy | Setting construction and painting |
| 1949 | After The Deluge | Philomises |
| 1948 | When Knights Were Bold | Mr Isaac Isaacson |
| 1948 | Shall We Join the Ladies | Dolphin |
| 1947 | Carpet Slippers | Producer |
| 1947 | Vanity Fair | Pitt Crawley |