| Year | Play | Role |
| 1938 | The Scarlet Pimpernel | Scenery for Acts I and IV designed and painted by |
| 1940 | George and Margaret | Scenery designed and painted by |
| 1943 | Quiet Wedding | Decorations |
| 1944 | Rookery Nook | Stage Director |
| 1945 | Housemaster | Stage Director |
| 1945 | Housemaster | Scenery designed and constructed by |
| 1945 | They Came to a City | Stage Manager |
| 1945 | They Came to a City | The Set built and painted under the direction of |
| 1945 | Whiteoaks | Stage Director |
| 1945 | Whiteoaks | The Scene designed and constructed by |
| 1946 | Acacia Avenue | The Scene designed and constructed by |
| 1946 | Rebecca | Stage Director |
| 1946 | This Happy Breed | Scenery designed and painted by |
| 1947 | Quiet Weekend | Scenic Director |
| 1947 | Vanity Fair adapted from Thackeray’s novel | Scenic Director |
| 1948 | The Shop at Sly Corner | Sets designed by |
| 1948 | When Knights Were Bold | Scenery designed by |
| 1949 | After the Deluge | Setting and costumes by |
| 1949 | The First Gentleman | Scenic Director |
| 1950 | Arsenic and Old Lace | Stage Staff |
| 1951 | Lady Windermere’s Fan | Scenic Designer |
| 1951 | Lady Windermere’s Fan | The Scenery constructed and painted by |
| 1952 | The Heiress | Scenery designed by |
| 1952 | Treasure Hunt | Scenic Designer |
| 1953 | The Gioconda Smile | Scenery designed by |
| 1953 | The Hollow | Scenic Designer |
| 1955 | As Long As They're Happy | The Scenery constructed by |