| Year | Play | Role |
| 1964 | A Taste of Honey | Scenic Assistants and Stage Staff |
| 1964 | The Irregular Verb "To Love" | Assistant Stage Managers |
| 1965 | Blithe Spirit | Sound Effects |
| 1966 | The Barretts of Wimpole Street | Sound |
| 1966 | The Barretts of Wimpole Street | George Moulton Barrett |
| 1966 | The Glass Menagerie | Sound Effects |
| 1967 | Dandy Dick | Lieutenant Darbey |
| 1967 | Rattle of a Simple Man | Setting designed by |
| 1967 | Rattle of a Simple Man | Sound Effects |
| 1967 | The Importance of Being Earnest | Jack Worthing |
| 1968 | Don't Listen Ladies | Sound Effects |
| 1968 | Farewell, Farewell Eugene | Mick Delaney |
| 1968 | The Duenna | Don Ferdinand |
| 1968 | Tom Jones | Blifil |
| 1969 | A Penny for a Song | James Giddy |
| 1969 | A Penny for a Song | Sound |
| 1969 | All My Sons | Sound |
| 1969 | I'll Get My Man | Sound Effects |
| 1970 | A Day in the Death of Joe Egg | Freddie |
| 1970 | An Inspector Calls | Gerald Croft |
| 1970 | Great Expectations | Sound Effects |
| 1970 | Man and Superman | Hector Malone |
| 1970 | Man and Superman | Sound Effects |
| 1970 | The Lion in Winter | Philip Augustus, King of France |
| 1971 | Lock Up Your Daughters | Justice Worthy |
| 1971 | The Beaux' Stratagem | Thomas Aimwell |
| 1971 | Wild Goose Chase | Sound |
| 1972 | A Man for All Seasons | Richard Rich |
| 1972 | Pride and Prejudice | Mr. Collins |
| 1972 | Relatively Speaking | Sound |
| 1972 | Waltz of the Toreadors | Gaston, his secretary |
| 1973 | Becket | Bishop of Oxford |
| 1973 | Becket | Third Baron |
| 1973 | Boeing Boeing | Sound effects |
| 1973 | The Devils Disciple | Sound effects |
| 1973 | Under Milk Wood | First Voice and Mr Pugh |
| 1974 | Bequest to the Nation | Sound and Music |
| 1974 | Halfway up the Tree | Lighting |
| 1974 | Oh! What a Lovely War | Ensemble |
| 1974 | The Secretary Bird | John Brownlow |
| 1975 | A View From the Bridge | Sound |
| 1975 | Abelard and Heloise | Monks |
| 1975 | Suddenly at Home | Glen Howard |
| 1975 | The Rivals | Light and Sound |
| 1976 | Black Comedy | Sound |
| 1976 | The Real Inspector Hound | Sound |
| 1976 | Toad of Toad Hall | Water Rat |
| 1976 | Twelfth Night | Malvolio |
| 1977 | Move Over Mrs Markham | Alistair Spenlow |
| 1977 | The Killing of Sister George | Sound |
| 1977 | The School for Scandal | Snake |
| 1977 | The School for Scandal | Servants, Gentlemen, Maids |
| 1977 | Treasure Island | Tom |
| 1977 | Treasure Island | Sound |
| 1978 | Anastasia | Sound |
| 1978 | Charley’s Aunt | Sound |
| 1978 | Hay Fever | Sound by |
| 1978 | Three Sisters | Sound |
| 1979 | Cæsar and Cleopatra | Sound |
| 1979 | Habeas Corpus | Sound |
| 1979 | How The Other Half Loves | Directed by |
| 1980 | London Assurance | Mark Meddle |
| 1980 | Pink String and Sealing Wax | Sound |
| 1980 | Who’s Afraid of Virginia Woolf | Sound |
| 1980 | Who’s Afraid of Virginia Woolf | Production Assistants |
| 1981 | Crown Matrimonial | Directed by |
| 1981 | Five Finger Exercise | Sound |
| 1981 | Uproar in the House | Nigel Pitt |
| 1983 | Flare Path | Sound |
| 1984 | Rebecca | Technical Operator |
| 1985 | An Inspector Calls | With special effects by |
| 1986 | Move Over Mrs Markham | Philip Markham |
| 1986 | Voyage Round my Father | Japhet; Mr. Thong; Film Director; Robing room man; Doctor |
| 1989 | Absent Friends | Directed by |
| 1989 | Blithe Spirit | Charles |
| 1989 | Hound of the Baskervilles | Sherlock Holmes |
| 1990 | The Annotator | Lawrence Edward Brown |
| 1992 | As You Like It | Jaques, his philosophical friend |