| Year | Play | Role |
| 1949 | Thark | Stage Manager |
| 1950 | And Then There Were None | Scenery constructed and painted under the direction of |
| 1950 | And Then There Were None | Stage Carpenter |
| 1950 | And Then There Were None | Stage Staff |
| 1950 | Arsenic and Old Lace | Stage Manager |
| 1951 | Baa, Baa, Black Sheep | The Setting constructed and painted by |
| 1951 | Lady Windermere’s Fan | Stage Carpenter |
| 1951 | Lady Windermere’s Fan | The Scenery constructed and painted by |
| 1951 | Lady Windermere’s Fan | Stage Staff |
| 1951 | Mary Blake | Stage Director for the committee |
| 1951 | Playbill | Stage Managers |
| 1951 | The Cock's Stride | Stage Director |
| 1951 | The Cradle Song | The Setting constructed by |
| 1951 | The Lady's Not for Burning | Stage Manager |
| 1952 | Dear Octopus | Stage Staff |
| 1952 | Off the Record | The Scenery constructed and painted by |
| 1952 | Off the Record | Stage Staff |
| 1952 | The Cocktail Party | Stage Staff |
| 1952 | The Heiress | The Scenery constructed and painted by |
| 1952 | The Vigil | Stage Staff |
| 1952 | Treasure Hunt | Scenery constructed and painted by |
| 1952 | Treasure Hunt | Stage Staff |
| 1953 | Pride and Prejudice | Stage Manager |
| 1953 | Pride and Prejudice | Settings designed by |
| 1953 | Pygmalion | Stage Gang |
| 1953 | See How They Run | Stage Carpenters |
| 1953 | The Gioconda Smile | Scenery constructed and painted by |
| 1953 | The Gioconda Smile | Stage Staff |
| 1953 | The Hollow | Stage Gang |
| 1953 | The Importance of Being Psmith | Stage Staff |
| 1954 | Waters of the Moon | Scenery Constructed and Painted by |
| 1954 | Waters of the Moon | Stage Gang |